Film Review: A White, White Day (2019)
byThe title of writer-director Hlynur Palmason’s film A White, White Day, fresh from an impressive reception at Cannes, invokes an Icelandic proverb to introduce an…
Film Review: The Third Wife (2018)
byThe title of Ash Mayfair’s debut film, The Third Wife , evokes the dehumanising, commodified nature of life for its eponymous character. Her name…
Film Review: The Ghost of Peter Sellers (2018)
byOne of my favourite things that Roger Ebert said was “movies are the most powerful empathy machine in all the arts”. It speaks so…
7 Reasons to Learn Filmmaking and Get a Film Education
byWho doesn’t love to watch movies? Regardless of whether it’s an animated kids’ film or films like The Godfather, everybody has an exceptional connection…
Film Review: J.R. ‘Bob’ Dobbs and the Church of the SubGenius (2019)
byWe’re living in the upside-down world. The jokers are in charge. Supporters are cults. People are living in feedback loops, their responses programmed and…
Film Review: Ballad of a Righteous Merchant (2017)
byWerner Herzog’s own documentaries are interested in trying to visualise the invisible, in seeing inside the mind, the soul, and exploring the depths and…
Film Review: Spider-Man: Far From Home (2019)
bySpider-Man: Far From Home is the 23rd film in the Marvel Cinematic Universe, and if you are just joining the global phenomenon now then…
Film Review: Mystify: Michael Hutchence (2019)
byIt’s almost impossible to reflect upon INXS these days without referencing the untimely suicide of their lead singer Michael Hutchence in 1997. As such,…
Film Review: Yesterday (2019)
byYesterday isn’t a film to overthink. Don’t get bogged down in the details of how or why its world works, or what the rules…
Film Review: Annabelle Comes Home (2019)
byAnnabelle Comes Home is the seventh continuation of the Conjuring universe. It’s a welcome return to the horror franchise, which seems to go from…