Film Review: Dark Waters (2019)
Written by Ben Isbel Originally published 4 March 2020 Dark Waters is based on an illuminating New York Times article about a corporate defence…
Film Review: Guns Akimbo (2019)
Written by Ben Isbel Originally published 1 March 2020 Guns Akimbo is a grindhouse-light, high-octane affair with a colourful Scott Pilgrim aesthetic and tone….
Film Review: The Invisible Man (2020)
Written by Ben Isbel Originally published 26 February 2020 Universal Studios continue to reboot classic horror movies, transposing The Invisible Man into the light…
Film Review: Colour Out of Space (2019)
Written by Ben Isbel Originally published 6 February 2020 There’s plenty of hype around Colour Out of Space for a variety of reasons: Richard…
Film Review: Underwater (2020)
Written by Ben Isbel Originally published 26 January 2020 Underwater is a sci-fi horror set deep deep down, in the depths of the Mariana…
Film review: 1917 (2019)
Written by Ben Isbel Originally published 2 January 2020 1917 is expert cinema. Riveting from the first minute until the last, not one moment…
Film Review: A Shaun the Sheep Movie: Farmageddon (2019)
Written by Ben Isbel Originally published 2 January 2020 The current headliner of the Aardman Animations Studio is the raucous A Shaun the Sheep Movie:…
Film Review: Portrait of a Lady on Fire (2019)
Written by Ben Isbel Originally published 23 December 2019 Portrait of a Lady On Fire is a period drama so immersive with a story…
Film Review: Ford v Ferrari (2019)
Written by Ben Isbel Originally published 12 November 2019 ‘Based on a true story’ is the overused tagline usually reserved for implausible events. Ford…
Film Review: Pain & Glory (2019)
Written by Ben Isbel Originally published 4 November 2019 A Pedro Almodovar film can be a little like an amusement ride down a dark…