Film Review: Where’s My Roy Cohn (2019)
byWritten by Angus Tonkin Originally published 30 November 2019 He may not be a household name, but Roy Cohn may well be one of…
Festivals
Film Review: Hero (2019)
byWritten by Kendal Coombs Originally published 10 November 2019 Kicking off this year’s Russian Resurrection Film Festival, Hero is a “spy-thriller” about Russian sleeper cells all…
Film Review: Fisherman’s Friends (2019)
byWritten by David Nagle Originally published 28 October 2019 Clusters of orange lichen-covered roofs, peeks of sandy beach, and ocean spreading into the distance….
Film Review: A White, White Day (2019)
byWritten by Angus Tonkin Originally published 8 July 2019 The title of writer-director Hlynur Palmason’s film A White, White Day, fresh from an impressive reception…
Film Review: The Ghost of Peter Sellers (2018)
byWritten by David Nagle Originally published 8 July 2019 One of my favourite things that Roger Ebert said was “movies are the most powerful…
Film Review: J.R. ‘Bob’ Dobbs and the Church of the SubGenius (2019)
byWritten by David Nagle Originally published 2 July 2019 We’re living in the upside-down world. The jokers are in charge. Supporters are cults. People…
Film Review: Ballad of a Righteous Merchant (2017)
byWritten by David Nagle Originally published 2 July 2019 Werner Herzog’s own documentaries are interested in trying to visualise the invisible, in seeing inside…
Film Review: Crime Wave (2018)
byWritten by Angus Tonkin Originally published 15 April 2019 This is the second year in a row that the Spanish Film Festival has announced…
Film Review: The Hole in the Ground (2019)
byWritten by Simon Storey Originally published 9 April 2019 In the last few years horror films have developed a fascination with parental anxiety. Perhaps…
Film Review: Celebration (2007)
byWritten by Kendal Coombs Originally published 1 April 2019 Two decades after it was filmed, Celebration: Yves Saint Laurent, Olivier Meyrou’s brilliant fly-on-the-wall documentary celebrating the…