Film Review: Onward (2020)
byWritten by Kevin Hawkins Originally published 19 April 2020 The team at Disney Pixar simply don’t know how to make a bad film. And…
Film
Film Review: Happy New Year, Colin Burstead (2018)
byWritten by Kendal Coombs Originally published 31 March 2020 With a cast full to the brim with British thespians, an established filmmaker and a…
Film Review: In Fabric (2018)
byWritten by Angus Tonkin Originally published 11 March 2020 If the Bourke Street Myer windows at Christmas were given over to the control of…
Film Review: Queen and Slim (2019)
byWritten by Kevin Hawkins Originally published 11 March 2020 In Queen & Slim, director Melina Matsoukas wastes no time getting into the action; after…
Film Review: Downhill (2020)
byWritten by David Nagle Originally published 6 March 2020 There are notable exceptions – think A Bigger Splash, Some Like it Hot or The…
Film Review: Honeyland (2019)
byWritten by David Nagle Originally published 4 March 2020 For almost sixty years Hatidže has walked and worked the stark, sparse valley and mountain…
Film Review: Dark Waters (2019)
byWritten by Ben Isbel Originally published 4 March 2020 Dark Waters is based on an illuminating New York Times article about a corporate defence…
Film Review: Guns Akimbo (2019)
byWritten by Ben Isbel Originally published 1 March 2020 Guns Akimbo is a grindhouse-light, high-octane affair with a colourful Scott Pilgrim aesthetic and tone….
Film Review: Honey Boy (2019)
byWritten by Dan Santos Originally published 26 February 2020 Shia LaBeouf has been an actor since he was a child. And, like many others…
Film Review: The Invisible Man (2020)
byWritten by Ben Isbel Originally published 26 February 2020 Universal Studios continue to reboot classic horror movies, transposing The Invisible Man into the light…