Review: National Theatre Live: Cat on a Hot Tin Roof (2018)
byTennessee Williams’ play, which won a Pulitzer Prize in 1955, explores the nature of truth, lies, death, family and alcohol. For their latest performance,…
Tennessee Williams’ play, which won a Pulitzer Prize in 1955, explores the nature of truth, lies, death, family and alcohol. For their latest performance,…
Karl Marx. A name that inspires equal amounts of fervent respect and spiteful hatred, depending on which group you’re talking to. A genius of…
At only 33, Australian actor/director Simon Stone is a name that most diehard theatre lovers will know. If you haven’t, be prepared to hear…
Luchino Visconti’s 1943 film Ossessione may be one of the lasting classics of Italian neo-realist cinema, but judging by Ivo van Hove’s clumsy adaptation…
Meta is a very particular brand of humour, but rarely is it done with the level of wit as distinguishes Tom Stoppard’s Rosencrantz and…
‘Amadeus’ means ‘love of God’. It’s interpreted in a few ways but in this context it would mean ‘beloved of the Almighty’; the big…
…Let me speak to the yet unknowing world How these things came about: so shall you hear Of carnal, bloody, and unnatural acts, Of…
People who don’t go to the theatre often might be familiar with that age-old question of ignorance, which one leans over to ask someone more…
A View from the Bridge is the recent production from London’s young Vic theatre, beamed across the globes as part of the National Theatre…
“Phone rings, door chimes, in comes company! No strings, good times, room hums, company!” The masterful lyrics of Stephen Sondheim‘s Company simply speak for…