Film Review: Miss Fisher and the Crypt of Tears (2020)
byIn the grand tradition of fictional detectives, Miss Phryne Fisher is second to none. A private lady detective, she made herself useful driving an…
kendal coombs
Film Review: The Peanut Butter Falcon (2019)
byPremiering at the 2019 South by Southwest Festival, The Peanut Butter Falcon, feature debut of filmmakers Tyler Nilson and Michael Schwartz, became a sleeper…
Film Review: What Will Become of Us (2019)
byIn this mad world of shadowy billionaires ruling from behind the curtains, it’s rare to get a peek behind the curtain and see one…
Film Review: Suzi Q (2019)
byFor younger audiences who may only have a passing association with the legend that is Suzi Quatro, perhaps only recognising her name from conversations…
Film Review: I Am No Bird (2019)
by“I am no bird; and no net ensnares me: I am a free human being with an independent will”. So responds the titular Jane…
Film Review: Hero (2019)
byKicking off this year’s Russian Resurrection Film Festival, Hero is a “spy-thriller” about Russian sleeper cells all over the world awaiting instructions from a shadowy government…
Film Review: Maiden (2018)
byAs the Me Too era feels like it’s starting to flag, and endless all female reboots of traditionally male franchises has reached peak cringe,…
Film Review: Animals (2019)
bySince the critical success of her debut feature 52 Tuesdays, Adelaide filmmaker Sophie Hyde has had her fingers in many pies, including this SBS…
Film Review: Spider-Man: Far From Home (2019)
bySpider-Man: Far From Home is the 23rd film in the Marvel Cinematic Universe, and if you are just joining the global phenomenon now then…
Film Review: Rocketman (2019)
byIn today’s culture of streaming and downloading, not having to leave your house to get new music, it’s hard to imagine someone selling more…