Film Review: Honeyland (2019)
byFor almost sixty years Hatidže has walked and worked the stark, sparse valley and mountain landscape of remote northern Macedonia. We first see her…
documentary
Film Review: The Biggest Little Farm (2018)
byIt all started with a promise to a dog. In 2011 husband and wife team Molly and John Chester bought a 200 acre farm…
Film Review: What Will Become of Us (2019)
byIn this mad world of shadowy billionaires ruling from behind the curtains, it’s rare to get a peek behind the curtain and see one…
Film Review: Where’s My Roy Cohn (2019)
byHe may not be a household name, but Roy Cohn may well be one of the chief corrupting influences of American leadership since the…
Film Review: Suzi Q (2019)
byFor younger audiences who may only have a passing association with the legend that is Suzi Quatro, perhaps only recognising her name from conversations…
Film Review: I Am No Bird (2019)
by“I am no bird; and no net ensnares me: I am a free human being with an independent will”. So responds the titular Jane…
Film Review: Maiden (2018)
byAs the Me Too era feels like it’s starting to flag, and endless all female reboots of traditionally male franchises has reached peak cringe,…
Film Review: The Rise of Jordan Peterson (2019)
byOffering a rare and intimate peak into one of the most interesting men of our age, Patricia Marcia’s The Rise of Jordan Peterson is…
Film Review: The Eulogy (2018)
byAt the age of 54, destitute and alone, Geoffrey Tozer died in his rented Melbourne home. In a stinging 45-minute obituary Paul Keating, a long-term…
Film Review: The Brink (2019)
byDocumentary filmmaker Alison Klayman burst onto the scene with her successful 2012 documentary debut Ai Weiwei: Never Sorry. A few films later and Alison has…