Film Review: The Commuter (2018)
Before you ask, yes, he says it. Well, not the whole thing. But he does comes close. “I will kill you,” Liam Neeson declares…
By The Sea
Top 10 of 2017
Film Blerg is very pleased to announce our collective Top 10 of 2017. We base our selections on films theatrically released in Australia over…
Film Review: Three Billboards Outside Ebbing, Missouri (2017)
Three Billboards Outside Ebbing, Missouri, written and directed by Martin McDonagh, is both emotionally raw and hilariously irreverent. And despite its somewhat cumbersome title,…
Film Review: Breathe (2017)
What kind of film do you imagine when you hear the words “Andy Serkis‘ directorial debut”? The man who was at the vanguard of…
What Makes The Perfect Christmas Movie?
Christmas movies may not be the greatest movies of all time, but they are an essential part of the holiday spirit. There’s something so…
Film Review: Call Me by Your Name (2017)
Ever since it got its long awaited debut at Sundance at the beginning of the year Call Me by Your Name has earned a…
Film Review: Slack Bay (2016)
Slack Bay (Ma Loute) is very difficult to categorise or to explain. Is it a period farce? Or an Agatha Christie style murder mystery?…
Film Review: Just to be Sure (2017)
Just to be Sure (Ôtez-moi d’un Doute) is charming and funny, and perfectly timed for the holiday season. Erwan (François Damiens) is a bomb tester…
Film Review: The Florida Project (2017)
For many of us, childhood is the most wonderful of times. It’s when our curiosity peaks, when our uninhibitedness leads us to forge countless…
Film Review: Mudbound (2017)
Mudbound is an intimate, sprawling epic. This might sound like a paradox – how can a film be both small and large scale, both…