Film Review: Loro (2018)
Italian maestro Paolo Sorrentino returns to our screens with Loro, an uneven but wickedly entertaining take on Italy’s bizarre former prime minister Silvio Berlusconi….
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Top 10 of 2018
At Film Blerg, we like to take some time to review the year of theatrical releases at the Australian box office and then come…
Film Review: Matangi/Maya/M.I.A. (2018)
‘It’s not the film that I would have made.’ So says Matangi Arulpragasam, known on-stage as M.I.A., after initially watching her friend (or maybe…
Film Review: Eighth Grade (2018)
For the third year running, the New Year brings us another terrific film centred on a teenage girl. Last year it was Saoirse Ronan…
Film Review: Mary Poppins Returns (2018)
Few can deny the timeless appeal of the original Mary Poppins. Led by the legendary Julie Andrews in her feature debut, the 1964 classic…
Film Review: The Favourite (2018)
In modern filmmaking there are few directors who have stamped as unique a footprint as Yorgos Lanthimos. This idiosyncratic Greek is impossible to ignore,…
Film Review: Cold War (2018)
Cold War is about damaged people in a damaged country in a damaged world. Polish director Paweł Pawlikowski’s monochrome follow up, and in some…
Film Review: Peppermint (2018)
Every moment in culture is reflected in the art it produces. In a world changing as swiftly and as fundamentally as the one we…
Film Review: Spider-Man: Into the Spider-Verse (2018)
In the seemingly endless stream of Spider-Man films that flow into cinemas every other year, Spider-Man: Into the Spider-verse signals the arrival of a…
Film Review: Mortal Engines (2018)
Mortal Engines is an initially interesting and engaging futuristic tale with an aesthetically pleasing steam punk facade. The film is based on the novel…