Film Blerg: Frances Ha (2013)

At turns exuberant, witty and poignant, Frances Ha is a refreshing take on the quarter-life crisis, and one can only look forward to Baumbach and Gerwig’s next joint venture.

Russian Resurrection Film Festival: Metro (2013)

Upon its local release earlier this year, Metro was billed as Russia’s first Hollywood-style disaster movie. For better or worse, this is a fittingly accurate summary as to what audiences can expect from director Anton Megerdichev’s attempt to transplant mayhem and destruction of the American variety to the subways of Moscow.

Audi Festival of German Films: Shores of Hope (2012)

Life on the Eastern side of the Berlin Wall, under the ever watchful eye of the Statsi, has proved to be a rich source of material for modern German filmmakers. Films such as Good Bye Lenin!, The Lives of Others, and the recently released Barbara have been successful with both German and international audiences in their respective takes on this era.

Audi Festival of German Films: Lost In Siberia (2012)

The first thing which needs to be pointed out is that Lost in Siberia is a bit of a failure as a comedy. Given that it rarely provokes much in the way of laughter, the unrelenting breeziness becomes downright annoying by the time the credits roll, and that’s assuming you’ve been forgiving enough to stay to the end and endure it’s tone-deaf attitude to matters of ethnic diversity.

Film Review: Oblivion (2013)

If there really are extraterrestrial lifeforms observing Earth from somewhere in the depths of space, it’s safe to conclude that humanity’s epic love/hate relationship with Tom Cruise would be a source of particular fascination. After all, he is routinely condemned by many due to his role as the very public face of Scientology.