Film Review: The Lighthouse (2019)
byWritten by Dan Santos Originally published 6 February 2020 Director Robert Eggers’ second film is a dreary, deranged dream – strange and surreal and inscrutable….
The Witch
Film Review: Midsommar (2019)
byWritten by Dan Santos Originally published 14 September 2019 Writer-director Ari Aster is already proving himself to be one of the sharpest voices in…
Film Review: The Third Wife (2018)
byWritten by Nick Bugeja Originally published 8 July 2019 The title of Ash Mayfair’s debut film, The Third Wife , evokes the dehumanising, commodified…
Film Review: Hereditary (2018)
byWritten by Claire Robson Originally published 6 June 2018 With promises to be the year’s, if not the decade’s, scariest film, Hereditary wasn’t the…
Film Review: Get Out (2017)
byWritten by David Nagle Originally published 30 April 2017 Name a great director and you’re pretty much guaranteed that they’ve made a horror movie….
Film Review: The Autopsy of Jane Doe (2016)
byWritten by Simon Storey Originally published 25 November 2016 André Øvredal knows how to make a genre film better than nearly anyone else. 2010…
Film Review: Morgan (2016)
byWritten by David Nagle Originally published 13 November 2016 The best sci-fis are about questions. Questioning the nature of reality and of the self….
MIFF 2015 Film Review: The Witch (2015)
byWritten by Dan Santos Originally published 13 August 2015 There is a (excuse the pun) bewitching quality about The Witch, directed and written by Robert…