Film Review: Crazy Rich Asians (2018)
byThere’s rich and then there’s crazy rich. Based on the 2013 book of the same name by Kevin Kwan, Crazy Rich Asians is adapted…
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Film Review: The Happytime Murders (2018)
byPuppets and cute critters behaving badly is a fun idea, but it’s not necessarily a new one. It was more than a decade ago…
Film Review: West of Sunshine (2017)
byWest of Sunshine is the first feature film from writer-director Jason Raftopoulos, and is an elegant entry. Set over one day in Melbourne, the…
Film Review: Leave No Trace (2018)
byLeave No Trace is a new film by Debra Granik (Winter’s Bone), which has a similar exploration of a father and daughter’s relationship. Originally…
Film Review: C’est la Vie! (2017)
byThere is a sub-genre of comedy which audiences either love or hate, and it can be summed up succinctly as “awkward comedy”. You may…
Film Review: The Darkest Minds (2018)
byThe Darkest Minds is a lazily constructed piece of generic, homebrand-style tween movie making that, even at just 104 minutes long, has you wondering…
Film Review: On Chesil Beach (2017)
byIn these cynical, post-truth times we live in, the bittersweet sting of nostalgia and young love can be an alluring drawcard for the jaded…
Film Review: BlacKkKlansman (2018)
bySpike Lee has always preferred to explore race relations in America head on. His latest film BlacKkKlansman, which he directed and wrote, is no different….
Film Review: The Meg (2018)
byWith Summer coming to an end (in the tinsel town hemisphere at least) what better time than now to release an audacious beach blockbuster?…
Film Review: Superfly (2018)
byUpdating a classic of the Blaxplitation genre in the political climate of 2018 is a ballsy move. Superfly, released in 1972, remains one of the…