Film Review: Loro (2018)
byItalian maestro Paolo Sorrentino returns to our screens with Loro, an uneven but wickedly entertaining take on Italy’s bizarre former prime minister Silvio Berlusconi….
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Film Review: Glass (2019)
byA few years ago M. Night Shyamalan foreshadowed a return to his past in the final moments of his surprise hit, Split. If you’re…
Film Review: Instant Family (2018)
byWriter-director Sean Anders may have been responsible for the visionary Hot Tub Time Machine, but don’t let that taint your anticipation of his newest…
Film Review: Pick of the Litter (2018)
byHaving grown up with two black Labradors, I’ve always been curious as to how a dog takes up a career as a seeing-eye dog….
Film Review: Eighth Grade (2018)
byFor the third year running, the New Year brings us another terrific film centred on a teenage girl. Last year it was Saoirse Ronan…
Film Review: Mary Poppins Returns (2018)
byFew can deny the timeless appeal of the original Mary Poppins. Led by the legendary Julie Andrews in her feature debut, the 1964 classic…
Film Review: The Favourite (2018)
byIn modern filmmaking there are few directors who have stamped as unique a footprint as Yorgos Lanthimos. This idiosyncratic Greek is impossible to ignore,…
Film Review: Cold War (2018)
byCold War is about damaged people in a damaged country in a damaged world. Polish director Paweł Pawlikowski’s monochrome follow up, and in some…
Film Review: Ralph Breaks the Internet (2018)
byIn 2012 a lovable, unlikely duo burst onto our screens and forever changed what it means in animation to be a bad guy. Wreck-It…
Film Review: Vice (2018)
byAs Julia Louis-Dreyfus lampoons so wonderfully in her show Veep, the Vice President’s office is notorious for being a powerless vanity title for political…