Film Review: Greetings From Tim Buckley (2012)
byHot off the heels of the big reveal on Gossip Girl, Penn Badgley stars as the troubled rocker Jeff Buckley in the biopic of…
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MIFF 2013: Coming Forth By Day (2012)
byComing Forth By Day is 24 hours in the life of Suad (Donia Maher) and her mother (Salma Al-Najjar). Suad spends almost all of her…
MIFF 2013: Closed Curtain (2013)
byFollowing the documentary This Is Not A Film, Closed Curtain marks director Jafar Panahi’s second movie (co-directed by Kambuzia Partovi) since a six year home imprisonment sentence and twenty year ban on film making was imposed on him by the Iranian government.
Film Review: Last Days Here (2011)
bySex, drugs and rock ‘n’ roll. That’s the motto most musicians lived (and I use the term ‘lived’ lightly) by in the 70s and…
MIFF 2013: A Hijacking (2012)
byDespite a slow start, this slow grinding thriller thrives on a claustrophobic atmosphere, becoming tenser with each minute and building to a gripping finale.
Film Review: The Wolverine (2013)
byThe film’s plot moves briskly enough from one forced cliché to the next that’s punctuated by some well-staged action sequences (including one atop a speeding bullet train). The pace is also advantageous in speeding past some of the fairly large plot-holes, especially considering the talent that collaborated on the screenplay
Film Review: Orchestra Of Exiles (2012)
byOrchestra of Exiles, by Academy Award-nominated director Josh Aronson, recounts one of these lesser-known narratives, that of Bronislaw Huberman and the founding of the Palestine Symphony Orchestra.
Film Review: Before Midnight (2013)
byWhether or not the trio will return for another chapter in Celine and Jessie’s history is hard to say, and even more difficult to have to wait for, but for now, Before Midnight is essential viewing.
Film Review: This is The End (2013)
byFor fan’s of Goldberg and Rogan’s previous films, This is the End is plays out like the ultimate behind-the-scenes featurette. The silliness and fun that the cast seem to be having on the screen is palpable and the none-too-serious look at the end of the world is enjoyable from start to finish.
Film Review: Only God Forgives (2013)
byPremiering at this year’s Cannes Film Festival to initial boos, Refn and Gosling’s second joint effort has proven divisive amongst audiences. You can’t deny Refn’s style has a distinctive formality to it, which is very attractive to look at.