Film Review: Boys Cry (2018)
byOrganised crime was never on the radar for young lads Mirko (Matteo Olivetti) and Manolo (Andrea Carpenzano). Down and out in suburban Rome, they’re…
film
Film Review: C’est la Vie! (2017)
byThere is a sub-genre of comedy which audiences either love or hate, and it can be summed up succinctly as “awkward comedy”. You may…
Film Review: The Darkest Minds (2018)
byThe Darkest Minds is a lazily constructed piece of generic, homebrand-style tween movie making that, even at just 104 minutes long, has you wondering…
Film Review: On Chesil Beach (2017)
byIn these cynical, post-truth times we live in, the bittersweet sting of nostalgia and young love can be an alluring drawcard for the jaded…
Film Review: Dr. Knock (2017)
byAlmost a century ago, highly influential French literary and theatrical figures Lous Jouvert and Jules Romains debuted the satirical play Knock ou le Triomphe…
Film Review: Mission Impossible: Fallout (2018)
byThe first Mission Impossible was a forgettable film, but there’s a part that stuck in the cultural memory and set the series on its…
Film Review: Whitney (2018)
byDirected by Kevin Macdonald, Whitney is the most recent documentary about the life and struggles of singer Whitney Houston. It is released only a…
Film Review: Brothers’ Nest (2018)
byBrothers’ Nest is the latest film from Clayton Jacobson, the director of the Australian film Kenny. Again Clayton both directs and teams up with…
Film Review: Ocean’s 8 (2018)
byWhy ask eleven men (or twelve, or thirteen) to do a job that will only take eight women, and who will do it in…
Film Review: Tea With the Dames (2018)
byIn the age of the #TimesUp movement, which looks to change the culture of film and Hollywood, it’s refreshing to have a film focused…