Film Review: The Man Who Killed Don Quixote (2018)
byDirector Terry Gilliam returns with The Man Who Killed Don Quixote, his latest feature film and the one he has been trying to make…
Film review
Film Review: Crime Wave (2018)
byThis is the second year in a row that the Spanish Film Festival has announced itself by previewing a Maribel Verdu-led black comedy, and…
Film Review: The Aftermath (2019)
byFive months after the Nazi Empire surrendered to the Allies, Hamburg is the skeleton of a city. The promise of the Thousand Year Reich…
Film Review: The Hole in the Ground (2019)
byIn the last few years horror films have developed a fascination with parental anxiety. Perhaps it’s the reality of climate change sparking fear about…
Film Review: Mid90s (2018)
byHave we reached the stage where the ‘90s are officially nostalgic now? It appears so, with the aptly titled Mid90s taking audiences back to a…
Film Review: Wonder Park (2019)
byIt is not outrageous to proclaim that Disney rules the animated world, and their CGI sister Pixar traverse the divide between films for children…
Film Review: Celebration (2007)
byTwo decades after it was filmed, Celebration: Yves Saint Laurent, Olivier Meyrou’s brilliant fly-on-the-wall documentary celebrating the last of the great couturiers of Paris, is finally…
Film Review: Woman at War (2018)
byThe setting for a film titled Woman at War in any other country would almost be self-explanatory, but in Iceland you can be assured…
Film Review: Us (2019)
byIf Shrek was to review Us I can foresee his intro: Us is like an onion; it has layers. Us is Jordan Peele’s sophomoric…
Film Review: Pet Sematary (2019)
byStephen King has a quick answer to which novel of his he finds the most frightening: Pet Sematary. Personally, I tend to agree. But…