Film Review: A White, White Day (2019)
byThe title of writer-director Hlynur Palmason’s film A White, White Day, fresh from an impressive reception at Cannes, invokes an Icelandic proverb to introduce an…
The title of writer-director Hlynur Palmason’s film A White, White Day, fresh from an impressive reception at Cannes, invokes an Icelandic proverb to introduce an…
The title of Ash Mayfair’s debut film, The Third Wife , evokes the dehumanising, commodified nature of life for its eponymous character. Her name…
One of my favourite things that Roger Ebert said was “movies are the most powerful empathy machine in all the arts”. It speaks so…
We’re living in the upside-down world. The jokers are in charge. Supporters are cults. People are living in feedback loops, their responses programmed and…
Werner Herzog’s own documentaries are interested in trying to visualise the invisible, in seeing inside the mind, the soul, and exploring the depths and…
Spider-Man: Far From Home is the 23rd film in the Marvel Cinematic Universe, and if you are just joining the global phenomenon now then…
It’s almost impossible to reflect upon INXS these days without referencing the untimely suicide of their lead singer Michael Hutchence in 1997. As such,…
Yesterday isn’t a film to overthink. Don’t get bogged down in the details of how or why its world works, or what the rules…
Annabelle Comes Home is the seventh continuation of the Conjuring universe. It’s a welcome return to the horror franchise, which seems to go from…
Where do we put Chucky, the homicidal doll, in the pantheon of horror villains? In essence he will always be an elaborate piss-take, a…