Film Review: Berlin Syndrome (2017)
byThe recent remake of Beauty and the Beast means Stockholm syndrome is all the rage again. But Disney’s live action film isn’t the only…
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Film Review: Raw (2016)
byCannibal films aren’t in any way novel. Prevalent particularly in the ‘70s, the cannibal film only existed to sicken, shock and horrify audiences. In…
Film Review: Their Finest (2016)
byRepresentation in film matters. Cinema is about exploring and sharing everyone’s stories. When the stories are always told by and about the same people,…
Film Review: Summer 1993 (2017)
byThe age of six is a confusing time to be alive. It is a time when you feel like you’re starting to come to…
Film Review: Looking for Infinity: El Camino (2017)
byEvery year 200,000 humans undertake a traditionally Christian pilgrimage beginning in Pied-de-Port-France and ending in Santiago de Compostela. If you haven’t heard of it…
Article: Living in the Material World? An Analysis of Personal Shopper
byOlivier Assayas’ psychological thriller Personal Shopper is many things – ‘easy to understand’ is not one of them. It’s a ghost story, a murder…
Film Review: Voyage of the Southern Sun (2017)
byIf you happened to hear about a circumnavigation of the globe by boat plane a bit over a year ago, there’s a good chance…
Film Review: Denial (2016)
byDonald Trump and his “fake news” catchcry has recently forced the media and public into a discussion on truth and objectivity. But Trump and…
Film Review: Colossal (2016)
byColossal is the third feature film from writer-director Nacho Vigalondo, and is part comedy, part thriller, part fantasy. Gloria (Anne Hathaway) is broke, jobless and…
Film Review: Frantz (2016)
byIn crisp black and white, and unsettling for most of its long running time, autuer François Ozon has remade Ernest Lubitsch’s The Broken Lullaby (76 mins) into Frantz (113…