Film Review: Six Months to Salvation (2016)
byThe best kind of documentaries finish in a different place to where they started. Australian director Lorenzo Benitez’s independently-released debut Six Months to Salvation…
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Film Review: Spider-Man: Homecoming (2017)
byFifteen years, three separate franchises, and three actors. Spider-Man has been a bit like the film equivalent of a lost puppy since the turn…
Film Review: It Comes at Night (2017)
byIt Comes at Night doesn’t start off like most horror films, which is an indication straight off the bat that it’s not going to…
Film Review: Diary of a Wimpy Kid: The Long Haul (2017)
by‘What does it mean to be a kid in the 20th century?’ The latest in the Wimpy Kid series, based on the books by…
Film Review: First Girl I Loved (2016)
byIn the current cinematic climate there have been leaps and bounds made in the field of LGBTQI cinema. Who could have predicted ten years ago…
Film Review: Lady Macbeth (2016)
byLady Macbeth is a minimal film, visually stripped of any lavishness or decadence. The visuals reflect the thematic; it is severe and devoid of extravagance. …
Film Review: Transformers: The Last Knight (2017)
byIt’s been ten years – yes, an entire decade has gone by! – since the world first got a glimpse of what was to…
Film Review: McLaren (2017)
byEven if you’re not a fan of Formula 1, it’s very likely that the name ‘McLaren’ is instantly recognisable simply by osmosis. Apart from…
Film Review: A Quiet Passion (2016)
byWritten and directed by one of Britain’s most acclaimed directors, A Quiet Passion sees Terence Davies return by bringing the life of none other…
Review: National Theatre Live: Rosencrantz and Guildenstern are Dead (2017)
byMeta is a very particular brand of humour, but rarely is it done with the level of wit as distinguishes Tom Stoppard’s Rosencrantz and…