Film Review: The Midwife (2017)
byThe Midwife is a relationship-focused movie centered specifically around the relationship of protagonist Claire and antagonist Beatrice, played by two great Catherine’s of French…
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Film Review: ADDicted (2017)
byThere is a risk in letting your passion for an issue override your ability to make a decent film. This is the mistake writer…
Film Review: Brigsby Bear (2017)
byJames Pope is 25 and his life is about to undergo a seismic shift. Abducted by Ted and April Mitchum (Mark Hamill and Jane…
Film Review: Ingrid Goes West (2017)
byDirector and co-writer Matt Spicer’s Ingrid Goes West is a smart social media satire, a dark millennial comedy that’s an impressive debut. One that…
Film Review: The Snowman (2017)
byWith a decent hiatus between innings it’s with great anticipation audiences were looking forward to Tomas Alfredson’s directorial return. Coming off the back of Tinker…
Review: National Theatre Live: Yerma (2017)
byAt only 33, Australian actor/director Simon Stone is a name that most diehard theatre lovers will know. If you haven’t, be prepared to hear…
Film Review: Home Again (2017)
byCurrent marketing for Home Again quotes a reviewer who declared it an “instant classic”. And I’m here to tell you that whoever said that…
Film Review: The Pink House (2017)
byThe Pink House aka Questa Casa is a brothel that has been running for 112 years. Situated in the desert town Kalgoorie, 600 kms…
Film Review: Happy Death Day (2017)
byNot to recommend Wikipedia as a trustworthy source, but a quick search for ‘time loops’ will tell you that no less than five films…
Film Review: What If It Works? (2017)
byFilms about mental illness aren’t the easiest things to make. There are so many nuances to understand and avenues to explore, difficulties which are…