Film Review: Leave No Trace (2018)
byLeave No Trace is a new film by Debra Granik (Winter’s Bone), which has a similar exploration of a father and daughter’s relationship. Originally…
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Film Review: C’est la Vie! (2017)
byThere is a sub-genre of comedy which audiences either love or hate, and it can be summed up succinctly as “awkward comedy”. You may…
Film Review: The Darkest Minds (2018)
byThe Darkest Minds is a lazily constructed piece of generic, homebrand-style tween movie making that, even at just 104 minutes long, has you wondering…
Film Review: On Chesil Beach (2017)
byIn these cynical, post-truth times we live in, the bittersweet sting of nostalgia and young love can be an alluring drawcard for the jaded…
Film Review: The Meg (2018)
byWith Summer coming to an end (in the tinsel town hemisphere at least) what better time than now to release an audacious beach blockbuster?…
Film Review: Superfly (2018)
byUpdating a classic of the Blaxplitation genre in the political climate of 2018 is a ballsy move. Superfly, released in 1972, remains one of the…
Film Review: The Spy Who Dumped Me (2018)
byRoger Moore had his time to shine, and we’ve had our fair share of Bond films over the years. Now it’s the ladies’ turn….
Film Review: Dr. Knock (2017)
byAlmost a century ago, highly influential French literary and theatrical figures Lous Jouvert and Jules Romains debuted the satirical play Knock ou le Triomphe…
Film Review: Mission Impossible: Fallout (2018)
byThe first Mission Impossible was a forgettable film, but there’s a part that stuck in the cultural memory and set the series on its…
Film Review: The Wife (2017)
byFor too long, women’s abilities, ambitions and achievements have been sidelined by, and for, men. And for too long, this has been masked and…