Film Review: You Were Never Really Here (2017)
byWith four films to her name and an uncommon reverence in the film community, Scottish director Lynne Ramsay has earned the right to be…
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Film Review: The Miseducation of Cameron Post (2018)
byIn the long list of crimes that the church has perpetrated over the years, the mental torture and sexual destruction of LGBT youths is…
Film Review: Juliet, Naked (2018)
byNick Hornby’s novels seem to be written for film adaptation. While the novels themselves are generally good in their own right, the films are…
Film Review: The Merger (2018)
byThere are a few Australian traditions which are at once unifying and divisive – small rituals which exclude some and divide us into “teams” and…
Film Review: Wayne (2018)
byReal and unexaggerated ‘Rags to Riches’ tales are a very rare find, so to come across one that not only happened in rural Australia…
Film Review: The Flip Side (2018)
byAdelaide. Known for its great wine and churches, the city has a rich connection to Aussie cinema. The alumni of its shooting locale includes…
Film Review: The Insult (2017)
byLebanese writer/director Ziad Doueiri contemplates many things in The Insult – the way that small words can escalate into large arguments, the limits of freedom…
Film Review: Crazy Rich Asians (2018)
byThere’s rich and then there’s crazy rich. Based on the 2013 book of the same name by Kevin Kwan, Crazy Rich Asians is adapted…
Film Review: The Happytime Murders (2018)
byPuppets and cute critters behaving badly is a fun idea, but it’s not necessarily a new one. It was more than a decade ago…
Film Review: West of Sunshine (2017)
byWest of Sunshine is the first feature film from writer-director Jason Raftopoulos, and is an elegant entry. Set over one day in Melbourne, the…