Film Review: Custody (2017)
byOne woman dies every week in Australia at the hands of a partner or ex-partner. In France it’s one every three days. Referred to…
film blerg
Film Review: Night School (2018)
byGroup projects at school were invariably a mess, and the cohort of six writers responsible for the latest Kevin Hart vehicle, Night School, don’t…
Film Review: Don’t Worry, He Won’t Get Far on Foot (2018)
byDon’t Worry, He Won’t Get Far on Foot is a return to form for Gus Van Sant after the underwhelming Sea of Trees. Joaquin…
Film Review: Jirga (2018)
byBefore this review properly starts, a Public Service Announcement for the filmgoing community. Do not – under any circumstances – watch the trailer for…
An Interview with Olivia Martin-McGuire
byOlivia Martin-McGuire‘s documentary debut China Love is a thought-provoking glimpse into China, told through the lens of its pre-wedding photography industry. While Westerners may consider this a novel…
Film Review: Johnny English Strikes Again (2018)
byNobody may have asked Johnny English to strike again, but his return to cinemas – along with the reappearance of comic legend Rowan Atkinson…
Film Review: The House with a Clock in Its Walls (2018)
byDirector Eli Roth takes a well deserved break from traumatising adults and embarks on a new challenge with The House With a Clock in…
Film Review: China Love (2018)
byFrom the comfort of Australia it’s easy to roll our eyes about some of the peculiar habits of those living elsewhere in the world….
Film Review: Ladies in Black (2018)
byIt was the mid 1990s when prolific director Bruce Beresford first read Madeleine St John‘s novel The Women in Black, so almost a quarter of a century…
Film Review: The Predator (2018)
byNormally when I go to see a film I clear my mind. Try to go in without any expectations, good or bad. Try to…