Film Review: The Heiresses (2018)
byTimes have been better for long-time partners Chela (Ana Brun) and Chiquita (Margarita Irún), both heiresses of wealthy Paraguayan families. What these lovers have…
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Film Review: 2040 (2019)
byDystopias are in vogue, and why wouldn’t they be when the planet is burning and nobody seems to be doing anything about it? But…
Film Review: The Realm (2018)
byAfter winning seven Goya awards including Best Director, Best Actor and Best Original Screenplay, Rodrigo Sorogoyen’s political thriller The Realm arrives on Australian screens….
Film Review: John Wick: Chapter 3 – Parabellum (2019)
byStuntman turned director Chad Stahelski’s John Wick trilogy reaches violent new heights in its third outing. Parabellum, coming from the latin phrase ‘Si vis…
Film Review: Peterloo (2018)
byThe year is 1819. In the north of England the working class are governed by their stomachs, and committing petty crime gets a sentence…
Film Review: The Hustle (2019)
byThe last few years has seen the emergence of the gender-swap remake, making losers in basements all riled up because WOMEN CAN’T BUST GHOSTS,…
Film Review: Pokémon Detective Pikachu (2019)
byIn 2000 Nintendo abandoned the feature where a Pokémon would follow your character around from its series of Game Boy games. And it’s only…
Film Review: All Is True (2018)
byApproach William Shakespeare in isolation from his plays and expect to lace your story with a large amount of conjecture. Writer Ben Elton should…
Film Review: The Night Eats The World (2018)
byIt’s a real skill to find the right way to express your creation. It’s okay if there’s not enough to sustain a two-and-a-half-hour feature…
Film Review: Long Shot (2019)
byIn Jonathan Levine’s Long Shot, Seth Rogen gets to live out what we can presume is his lifelong dream of sleeping with Charlize Theron….