Film Review: The House with a Clock in Its Walls (2018)
byWritten by Ben Isbel Originally published 19 September 2018 Director Eli Roth takes a well deserved break from traumatising adults and embarks on a…
cate blanchett
Film Review: Jill Bilcock: Dancing the Invisible (2017)
byWritten by Simon Storey Originally published 7 July 2018 “There are no rules in filmmaking. Only sins. The cardinal sin is dullness” – Frank…
Film Review: Ocean’s 8 (2018)
byWritten by Amy Taylor Originally published 9 June 2018 Why ask eleven men (or twelve, or thirteen) to do a job that will only…
Film Review: Thor: Ragnarok (2017)
byWritten by Simon Storey Originally published 25 October 2017 Thor has always been the weird Avenger. Even in a team that includes smartarses in…
Film Review: The Dinner (2017)
byWritten by Simon Storey Originally published 5 September 2017 Herman Koch, a Dutch writer and actor, wrote a novel called Het diner in 2009…
Film Review: Brooklyn (2015)
byWritten by Kevin Hawkins Originally published 10 February 2016 The Oscars are almost in session, and we Australians know all too well what that…
Film Review: Carol (2015)
byWritten by Dan Santos Originally published 11 January 2016 Carol, directed by Todd Haynes, is a sumptuous reverie. Adapted by Phyllis Nagy from the…
Film Review: Truth (2015)
byWritten by David Nagle Originally published 4 December 2015 Few people might think documents are exciting, and fewer still that a story about them…
Film Review: Cinderella (2015)
byWritten by Claire Robson Originally published 26 March 2015 Sixty-five years after the Disney animated classic, director Kenneth Branagh has created a Cinderella for…
Film Review: National Theatre Live: A Streetcar Named Desire (2014)
byWritten by Amy Taylor Originally published 10 December 2014 There is a certain intimacy to watching live theater, one that can often refuse to…