Film Review: The House That Jack Built (2018)
byAcross a career that has spanned over forty years and fifteen films Lars von Trier has crafted a body of work that demands strong…
australian release
Film Review: An Impossible Love (2018)
byYour parents’ relationship plays a big part in shaping who you are. Basic assumptions on many things are forged in the fires of childhood,…
Film Review: Revenge (2017)
byRevenge, the debut film of French writer/director Coralie Fargeat, is bonkers. Absolute, balls to the wall, insanity that arrives on screen like a sledgehammer…
Film Review: The Guilty (2018)
byFilms taking place in a single setting face distinct challenges. But, if done well, these challenges can be converted into opportunities which only highlight,…
Film Review: Stan & Ollie (2018)
byAlongside Charlie Chaplin’s persona as the Tramp and Buster Keaton’s phenomenal use of visual comedy, Laurel and Hardy in their bowler hats dancing to…
Film Review: Maria by Callas (2017)
byMaria Callas, the beautiful Greek-American soprano, is a name familiar to anyone who loves opera. She is considered to be the greatest soprano of…
Film Review: On the Basis of Sex (2018)
byIn 1956 Harvard had five hundred students enrolled in its prestigious law school. Nine of them were women, one of which was Ruth Bader…
Film Review: Capharnaüm (2018)
byIs it fair that our children often bear the burden of the worlds that they are brought into? Capharnaüm, directed by Lebanese director Nadine…
Film Review: The Mule (2018)
byAt the incredible age of eighty-eight Clint Eastwood shows no signs of slowing down. With almost one film directed or produced every year since…
Film Review: Green Book (2018)
byIn the shamefully recent past of the mid-twentieth century, Victor Hugo Green, a New York City mail-man, published The Negro-Motorist Green Book annually. It…