Film Review: Mary Magdalene (2018)
byIn this day and age with significant amounts of people turning away from organised religion and, if the latest census data is to be…
australian release
Film Review: Mansfield 66/67 (2017)
by“Born Vera Jayne Palmer. Becomes a Broadway Star. Moves to Hollywood, with a 40-G Cup bra. Refused Miss Rowuefort Cheese, accepts Miss Photo Flash….
Review: National Theatre Live: Young Marx (2018)
byKarl Marx. A name that inspires equal amounts of fervent respect and spiteful hatred, depending on which group you’re talking to. A genius of…
Film Review: Kangaroo (2017)
byThink of Australia and you think of the kangaroo. A creature that was on this country 250,000 years before Indigenous Australians, an animal with…
Film Review: Marina Abramović in Brazil: The Space In Between (2016)
byMarina Abramović came to the attention of many in The Artist is Present, the 2012 documentary that chronicled her retrospective exhibition at MoMA in…
Film Review: Den of Thieves (2018)
byAs the opening titles tell us: Los Angeles is the bank robbery capital of the world. On average one bank is robbed every forty…
Film Review: I, Tonya (2017)
byBefore she was replaced on the burgeoning 24-hour news cycle by OJ Simpson, in 1994 Tonya Harding was the most infamous person in America….
Film Review: Faces Places (2017)
byOn the face of it, filmmaker Agnès Varda and artist JR make an improbable team. Varda is an 89-year-old female director who initiated the…
Film Review: Swinging Safari (2018)
byStephan Elliot has essentially mastered his own unique sub-genre here in Australia. With outrageous comedies like Priscilla that have their own slice of humour…
Film Review: The Post (2017)
byThere is generally always some friction between governments and the media. In recent times, nowhere has this escalated more quickly than in the United…