Film Review: God’s Own Country (2017)
“It’s beautiful here, but lonely,” says Gheorghe (Alec Secareanu), a Romanian migrant who has found work as a farmer in the English countryside. It…
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Film Review: The Dark Tower (2017)
The Dark Tower is not a movie where you can leave your brain at the door and be bombarded with special effects spectacle. It…
Review: National Theatre Live: Who’s Afraid of Virginia Woolf? (2017)
The marathon length National Theatre Live performance of Who’s Afraid of Virginia Woolf? may well be one of the most immersive cinema experiences of…
Film Review: Logan Lucky (2017)
In 2001 Steven Soderbergh mastered the heist film with his suave and deceptively clever Ocean’s Eleven. But it only took him three years to forget…
Film Review: Valerian and the City of a Thousand Planets (2017)
It is strange that a director so lofty as Luc Besson should release a new film and instead draw praise for a film he…
Film Review: Annabelle: Creation (2017)
Annabelle: Creation has one of the biggest shocks any horror could deliver. It’s a sequel (well, technically a prequel) better than the original. Creation is…
Film Review: The Wall (2017)
Iraq, 2005. Two years after Bush the sequel stood in front of a banner that proudly declared ‘Mission Accomplished’, guerrilla warfare is still raging…
Film Review: An Inconvenient Sequel: Truth to Power (2017)
In 2006 Al Gore rocked the world with An Inconvenient Truth, a watershed moment when the concept and threat of global warming finally slotted…
Film Review: Atomic Blonde (2017)
Inspired by the 2012 graphic novel The Coldest City, David Leitch’s film, Atomic Blonde, brings ruthless heroine Lorraine Broughton to the screen in startling…
What Will Brian Koppelman Think to Casino Genre Newbie Molly’s Game?
Released on November 22nd of this year, the expectation is that Molly’s Game could be the film that reinvigorates a genre faltering after the…