Film Review: The Grinch (2018)
Another month passes, another moderate success from the last 30 years gets remade. On the roulette wheel of Hollywood desperately searching for new franchises…
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Film Review: You Might Be The Killer (2018)
Horror as a genre has weathered every change that filmmaking movements and social change can throw at it. As the popular, if untrue, adage…
Film Review: Puzzle (2018)
If ever there was to be an award for clearest metaphor, Marc Turtletaub (Little Miss Sunshine) would win it hands down for Puzzle — a…
Film Review: Sorry to Bother You (2018)
Acerbic and hysterical, Sorry to Bother You, directed and written by Boots Riley, is a scathing indictment of capitalism. Imagining an alternative vision of…
Film Review: Anna and the Apocalypse (2017)
Following the success of his short film Zombie Musical in 2011, the late Ryan McHenry (responsible for the ‘Ryan Gosling Won’t Eat His Cereal’…
Film Review: Robin Hood (2018)
As Otto Bathurst‘s Robin Hood begins, Friar Tuck (Tim Minchin) implores us to forget everything we think we know about Robin Hood. It’s an ambitious thought. You…
Film Review: Lean on Pete (2017)
Yorkshireman Andrew Haigh wouldn’t be the obvious person to adapt a novel like Lean on Pete by Willy Vlautin, portraying the trials of a…
Film Review: Drug Stories (2018)
Everyone at one stage or another has been told by someone not to get into narcotics. The effort behind that dissuasion can vary depending…
Film Review: An Evening With Beverly Luff Linn (2018)
Things aren’t going great for Lulu Danger (Aubrey Plaza) when her manager and husband Shane (Emile Hirsch) fires her from the crappy restaurant diner…
Review: Everybody’s Talking About Jamie (2018)
Back in 2000, the film gods gave us Billy Elliot, a story about a boy who wanted to break gender stereotypes and be a…