Film Review: Before Midnight (2013)
Whether or not the trio will return for another chapter in Celine and Jessie’s history is hard to say, and even more difficult to have to wait for, but for now, Before Midnight is essential viewing.
Whether or not the trio will return for another chapter in Celine and Jessie’s history is hard to say, and even more difficult to have to wait for, but for now, Before Midnight is essential viewing.
For fan’s of Goldberg and Rogan’s previous films, This is the End is plays out like the ultimate behind-the-scenes featurette. The silliness and fun that the cast seem to be having on the screen is palpable and the none-too-serious look at the end of the world is enjoyable from start to finish.
Premiering at this year’s Cannes Film Festival to initial boos, Refn and Gosling’s second joint effort has proven divisive amongst audiences. You can’t deny Refn’s style has a distinctive formality to it, which is very attractive to look at.
Endlessly quotable, over the top and ridiculous, The Big Lebowski is simply put, a comedy classic, and the event is a must for lovers of the film to dress up, drink milk kahlua and vodka, and have a good old time with some fellow nuts.
Raleigh (Charlie Hunnam) and Yancy (Diego Klattenhoff) are brothers, pilots, and rock-stars. They have no marketable skills in the real world, but in post apocalyptic aliens vs giant robots world, their ability to hold their own in a fight makes them super human rock-stars.
Overall, Cold War is a reasonably well-executed action thriller, with an absorbing plot and enough twists and turns to keep audiences vested in the eventual outcomes.
Film Blerg is very excited to present our inaugural Top 10 Films of Jan-June for 2013. In addition to this, we will run a…
Courtesy of Icon Films, Film Blerg is giving away 3 double passes to see Ryan Gosling in Nicholas Winding Refn’s ONLY GOD FORGIVES, in cinemas…
Love With An Accent could be considered Russia’s answer to Love Actually, comprised of seven short stories, Georgian writer/director Rezo Gigineishvili provides an extremely positive, albeit at times a little implausible, perspective on love.
Max (Danila Kozlovskiy) is living the high life in Moscow. A senior bank manager, he is incredibly wealthy with all the material possessions anyone could ever want. He spends his days working in a building he calls ‘global corporate evil’ and his nights partying with countless women and drugs.