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MIFF 2013: A World Not Ours (2012)

A World Not Ours gives us a unique look at a corner of the world we would be unlikely to encounter otherwise, adding a jazzy score and humour throughout to perk up an otherwise grim subject. Informative and grounding, this film shows us how frequently we take identity for granted.

MIFF 2013: First Cousin Once Removed (2012)

One can deduce First Cousin Once Removed is deliberately disjointed and fragmented, much like Honig’s thoughts and feelings. Through photos and old letters as well as interviews with family and friends, Berliner shows us, and Honig, the man he used to be.

News: A Conversation with Mark Hartley

Chris Smith recently had a chat with Australian filmmaker Mark Hartley, whose fictional feature debut Patrick, a remake of the 1978 Australian film, premieres at the 2013 Melbourne International Film Festival.

MIFF 2013: Patrick (2013)

A remake of Richard Franklin’s seminal ozploitation favourite, Patrick is a visually assured fictional feature debut for director Mark Hartley, who previously examined the ozploitation subgenre with his exceptional documentary, Not Quite Hollywood.

MIFF 2013: The Day of The Crows (2012)

At a time when animation has become increasingly digitised, franchised and gimmicky, it’s a relief to find the old-fashioned techniques still being used. While they certainly aren’t as time-efficient, the clear and original marks of artistry are there for all to recognise as opposed to the smooth artificial sheen we’ve become used to.

Film Review: The World’s End (2013)

It has been more than 10 years since Nick Frost, Simon Pegg and Edgar Wright teamed up to make Shaun Of The Dead, thus beginning the aptly named “Cornetto Trilogy”, and finally, the trilogy comes to a close with The World’s End.

Film Review: The Way, Way Back (2013)

The directing debut of acting and Oscar winning screen-writing duo Jim Rash and Nat Faxon, The Way, Way Back is a charming coming of age film perfectly timed for the American Summer Vacation.

Film Review: 100 Bloody Acres (2012)

Debuting at MIFF 2012, it seems a little strange that brothers Colin and Cameron Cairnes’ 100 Bloody Acres (writing and directing) had to open in the US to generally rave reviews before making it to Australia. It’s a good thing it made it back at all because this is one Australian film deserving of a wider audience.