Film Review: Diana (2013)
It goes without saying that Oliver Hirschbiegel’s biopic Diana will end in tragedy. But the tragedy of Diana is not so much the Princess’ death, but the unlikely tale of forbidden love that plays out for much of the film.
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Film Review: Thanks For Sharing (2013)
Premiering at last year’s Toronto Film Festival, Thanks for Sharing is the directorial debut for filmmaker Stuart Blumberg, the savvy scribbler behind the Oscar…
TV Recap: Miss Fisher’s Murder Mysteries, 2×4
The wide brimmed abomination is back but the pin stripe suit looked delectable on the ever charismatic and sexy Det. Jack (Nathan Page). Last…
Film Review: Runner Runner (2013)
Despite what the title may suggest, Runner Runner certainly runs out of steam way before its average climax. With superhero enthusiasts already dubious about his casting in the upcoming Batman vs. Superman, here’s hoping Affleck is saving all his efforts for Bruce Wayne.
TV Recap: Miss Fisher’s Murder Mysteries, 2×3
I can’t say for sure what really happened in Episode 3 of Miss Fisher’s Murder Mysteries but I’m sure there was a crime and it was solved in a witty and charming way by Miss Fisher (Essie Davis) and Det. Jack.
Film Review: Stories We Tell (2012)
Responding to the central question, Stories We Tell plays out like a mystery as Polley gradually patches together a portrait, blending archival footage with re-enactments to further blur the distinction between truth and fiction.
CLOSED: Lavazza Italian Film Festival Giveaway
Film Blerg is giving away 10 double passes to the LAVAZZA ITALIAN FILM FESTIVAL, beginning on 2nd October in Melbourne, and continuing around Australia…
Film Review: Turbo (2013)
There’s definitely something amusing about watching a snail line up to compete in the Indy 500. Unfortunately that one ridiculous premise alone is not…
Film Review: The East (2013)
A thought provoking film that may make you want to save the world, but will certainly make you aware of the danger around us and the harm we do to our own environment.
Film Review: I’m So Excited (2013)
The richness of the colour onscreen separates the world Almodovar presents from reality, isolating the characters in their own dimension, and its use is very reminiscent of films of the French New Wave, particularly Jacques Demi’s Umbrellas of Cherbourg (1964) and Jean-Luc Godard’s A Woman Is A Woman (1961).