Film Review: The Hitman’s Bodyguard (2017)
byThe Hitman’s Bodyguard is what I like to call a collage of a movie. It’s a load of different pieces put together to form…
Film Review: The King’s Choice (2016)
byWith so much content coming out every year about the Second World War it’s easy to become complacent with just how massive the years…
Film Review: American Made (2017)
byIt doesn’t take long to get to know Barry Seal, the focus of American Made. Piloting regional flights for TWA Airlines, the family man…
Film Review: Killing Ground (2016)
byIn the thrilling Killing Ground, directed by Damien Power, we follow a brutal family camping trip which turns horribly wrong after horrific crime scene is…
Film Review: Terminator 2: Judgment Day (1991)
byIs there anything wrong with Terminator 2: Judgment Day being rereleased in 3D? Not much that I can see. Welcome back Arnie, good to…
Film Review: Maudie (2016)
byWith a beautiful pace and wonderful subject matter, director Aisling Walsh has created a gorgeous tribute to the life of painter Maud Lewis with…
Film Review: The Lost City of Z (2016)
byThe Lost City of Z, directed by James Gray, is derived from a 2009 non fiction novel by David Grann. The story is centred on Percy Fawcett, an archaeologist…
Film Review: God’s Own Country (2017)
by“It’s beautiful here, but lonely,” says Gheorghe (Alec Secareanu), a Romanian migrant who has found work as a farmer in the English countryside. It…
Film Review: The Dark Tower (2017)
byThe Dark Tower is not a movie where you can leave your brain at the door and be bombarded with special effects spectacle. It…
Review: National Theatre Live: Who’s Afraid of Virginia Woolf? (2017)
byThe marathon length National Theatre Live performance of Who’s Afraid of Virginia Woolf? may well be one of the most immersive cinema experiences of…