CLOSED: Miss Fisher and the Crypt of Tears Giveaway
byThanks to Roadshow Films, we’re giving away 10 double passes for the new Australian film MISS FISHER AND THE CRYPT OF TEARS, in cinemas from…
Film Review: Colour Out of Space (2019)
byThere’s plenty of hype around Colour Out of Space for a variety of reasons: Richard Stanley directs his first film after his infamous sacking…
Film Review: The Lighthouse (2019)
byDirector Robert Eggers’ second film is a dreary, deranged dream – strange and surreal and inscrutable. In The Lighthouse, Eggers, with a screenplay he co-wrote…
Film Review: For Sama (2019)
byAmong the most confronting viewing experiences in recent years, For Sama is an essential story of war torn Syria, and the revolutionary people of…
Review: National Theatre Live: Present Laughter (2019)
byNoël Coward may have written the comedy Present Laughter as a parody of his own fame in the early 20th century, but his play…
Film Review: A Hidden Life (2019)
bySurrender. That’s what the A Hidden Life experience calls for. Ironically. A willingness to engage, to focus. An openness to Terrence Malick’s cinematic thesis. All these…
Film Review: The Peanut Butter Falcon (2019)
byPremiering at the 2019 South by Southwest Festival, The Peanut Butter Falcon, feature debut of filmmakers Tyler Nilson and Michael Schwartz, became a sleeper…
Film Review: Like a Boss (2020)
byRose Byrne and Tiffany Haddish star in Miguel Arteta’s Like a Boss, the latest chick flick to remind us that female friendships matter and…
Film Review: A Beautiful Day in the Neighbourhood (2019)
byEarly on in Marielle Heller’s A Beautiful Day in the Neighbourhood, it’s tempting to put yourself in Lloyd Vogel’s shoes and wander ‘What is…
Film Review: Underwater (2020)
byUnderwater is a sci-fi horror set deep deep down, in the depths of the Mariana Trench. The action starts more or less immediately and…