Film Review: Swinging Safari (2018)
byStephan Elliot has essentially mastered his own unique sub-genre here in Australia. With outrageous comedies like Priscilla that have their own slice of humour…
Film Review: The Commuter (2018)
byBefore you ask, yes, he says it. Well, not the whole thing. But he does comes close. “I will kill you,” Liam Neeson declares…
Film Review: The Shape of Water (2017)
byThere’s been much anticipation for Guillermo del Toro’s latest feature. With a highly successful festival run (taking home best director and score at the…
Film Review: Mary and the Witch’s Flower (2017)
byHaving previously directed Studio Ghibli’s final film When Marnie Was There, Hiromasa Yonebayashi has returned to our screens with the debut feature of Studio…
Top 10 of 2017
byFilm Blerg is very pleased to announce our collective Top 10 of 2017. We base our selections on films theatrically released in Australia over…
Film Review: The Post (2017)
byThere is generally always some friction between governments and the media. In recent times, nowhere has this escalated more quickly than in the United…
Film Review: All the Money in the World (2017)
byIf you kept up with any film news in 2017 it would have been hard to miss the equally turbulent and fascinating production of…
Film Review: Big in Japan (2018)
byYou may know the phrase ‘Big in Japan’, perhaps from a 2014 film, a 2009 TV Series or even a 1985 song by Alphaville. It refers to…
Film Review: Three Billboards Outside Ebbing, Missouri (2017)
byThree Billboards Outside Ebbing, Missouri, written and directed by Martin McDonagh, is both emotionally raw and hilariously irreverent. And despite its somewhat cumbersome title,…
5 Great Underdog Stories in Cinema
byModern cinema has a lot to thank its underdog for. Let’s face it: everyone loves watching a rags-to-riches story. Underdogs appear in all walks…