Film Review: Cargo (2017)
byIs there anything original that can be done with zombies? Films, books, video games and television have all been swarmed with the walking dead…
Film Review: Deadpool 2 (2018)
byIn 2016 in these very pages I wrote about how Deadpool was breaking the dull, factory-like mould of superhero movies. I wondered if audiences…
Film Review: Tully (2018)
byMany films have tried to present motherhood on screen but few of them are willing to portray the darker tinges of it. Yes, pushing…
Film Review: Midnight Oil: 1984 (2018)
byMidnight Oil: 1984, focuses on the year 1984, a time fans could tell you that the iconic album (no. 5) Red Sails in the…
Film Review: For the Love of God (2018)
byFor the Love of God, or to use its full title: For the Love of God: How the Church is Better and Worse Than…
Film Review: On Body and Soul (2017)
byEndre (Géza Morcsányi) is a withdrawn man. He remembers the active life he used to live when he had two functioning arms and now,…
Film Review: The Gateway (2018)
byLocally grown science fiction is a seldom seen thing in Australia. Apart from a few series on ABC3 and a few films dropped in…
Film Review: Outside In (2017)
byNominated at SXSW and selected at Toronto Film Festival 2017, Outside In is a new drama by Lynn Shelton is dominated by the leads Carol (Edie Falco)…
Film Review: Hit the Road: Cambodia (2018)
byImagine an episode of The Amazing Race, but the directors have edited out all the photo finishes, scrapped the tense music, and lost interest…
Review: National Theatre Live: Cat on a Hot Tin Roof (2018)
byTennessee Williams’ play, which won a Pulitzer Prize in 1955, explores the nature of truth, lies, death, family and alcohol. For their latest performance,…