Film Review: In Like Flynn (2018)
byBased on the novel Beam Ends by Errol Flynn, In Like Flynn is a memoir of the adventures and life of the man before…
Film Review: Venom (2018)
byThere are three things missing from Venom. A good story, clear direction and an R rating. What it does have going for it manages to…
Film Review: The Seagull (2018)
byRussian literary master Anton Chekhov’s The Seagull has undergone many transformations on both stage and screen since its debut in St Petersburg in 1896, but…
Lost Gully Road – An Interview with Donna McRae
byThere’s a sense of deja-vu as I park the car on the way to interview Donna McRae for her new film Lost Gully Road….
Film Review: Custody (2017)
byOne woman dies every week in Australia at the hands of a partner or ex-partner. In France it’s one every three days. Referred to…
Film Review: Night School (2018)
byGroup projects at school were invariably a mess, and the cohort of six writers responsible for the latest Kevin Hart vehicle, Night School, don’t…
Film Review: Don’t Worry, He Won’t Get Far on Foot (2018)
byDon’t Worry, He Won’t Get Far on Foot is a return to form for Gus Van Sant after the underwhelming Sea of Trees. Joaquin…
Film Review: Jirga (2018)
byBefore this review properly starts, a Public Service Announcement for the filmgoing community. Do not – under any circumstances – watch the trailer for…
An Interview with Olivia Martin-McGuire
byOlivia Martin-McGuire‘s documentary debut China Love is a thought-provoking glimpse into China, told through the lens of its pre-wedding photography industry. While Westerners may consider this a novel…
Film Review: Johnny English Strikes Again (2018)
byNobody may have asked Johnny English to strike again, but his return to cinemas – along with the reappearance of comic legend Rowan Atkinson…