Film Review: The Sisters Brothers (2018)
byThe Sisters Brothers doesn’t look like the kind of film you’d expect to find at a French film festival. Indeed, this Western shoot-out, set…
Film Review: King of Thieves (2018)
byBased on real events that occurred the Easter of 2015 within London, King of Thieves imagines the recent heist with a stellar cast of…
Film Review: Greta (2018)
byNeil Jordan has a long history of films that seem to divide opinion; opinions that change over the years as his films are reassessed….
Film Review: The Guilty (2018)
byFilms taking place in a single setting face distinct challenges. But, if done well, these challenges can be converted into opportunities which only highlight,…
Film Review: Stan & Ollie (2018)
byAlongside Charlie Chaplin’s persona as the Tramp and Buster Keaton’s phenomenal use of visual comedy, Laurel and Hardy in their bowler hats dancing to…
Film Review: Vox Lux (2018)
byIt would be fair to question the need for another film exploring the phenomenon of celebrity. Documentary essays on the life (and death) of…
Film Review: Happy Death Day 2U (2019)
byPut Happy Death Day 2U down to a case of a studio cashing in on a surprise hit, but you can’t blame a guy…
Film Review: Alita: Battle Angel (2019)
byTwo hundred million dollars. Thousands and thousands of hours of work. Hundreds and hundreds of talented people who excitedly told their families that they…
Film Review: Maria by Callas (2017)
byMaria Callas, the beautiful Greek-American soprano, is a name familiar to anyone who loves opera. She is considered to be the greatest soprano of…
Film Review: The Bikes of Wrath (2019)
byThere are many reasons to go on a particular, specific road-trip: you saw it in a film and fell in love with the scenery…