It has been more than 10 years since Nick Frost, Simon Pegg and Edgar Wright teamed up to make Shaun Of The Dead, thus beginning the aptly named “Cornetto Trilogy”, and finally, the trilogy comes to a close with The World’s End.
The directing debut of acting and Oscar winning screen-writing duo Jim Rash and Nat Faxon, The Way, Way Back is a charming coming of age film perfectly timed for the American Summer Vacation.
Debuting at MIFF 2012, it seems a little strange that brothers Colin and Cameron Cairnes’ 100 Bloody Acres (writing and directing) had to open in the US to generally rave reviews before making it to Australia. It’s a good thing it made it back at all because this is one Australian film deserving of a wider audience.
Hot off the heels of the big reveal on Gossip Girl, Penn Badgley stars as the troubled rocker Jeff Buckley in the biopic of…
Coming Forth By Day is 24 hours in the life of Suad (Donia Maher) and her mother (Salma Al-Najjar). Suad spends almost all of her…
The main flaw is that the film simply doesn’t bring anything really new to the proceedings, but fans of Kitano and his previous gangster films will no doubt find a lot to like here regardless.
Following the documentary This Is Not A Film, Closed Curtain marks director Jafar Panahi’s second movie (co-directed by Kambuzia Partovi) since a six year home imprisonment sentence and twenty year ban on film making was imposed on him by the Iranian government.
Sex, drugs and rock ‘n’ roll. That’s the motto most musicians lived (and I use the term ‘lived’ lightly) by in the 70s and…
Despite a slow start, this slow grinding thriller thrives on a claustrophobic atmosphere, becoming tenser with each minute and building to a gripping finale.
The film’s plot moves briskly enough from one forced cliché to the next that’s punctuated by some well-staged action sequences (including one atop a speeding bullet train). The pace is also advantageous in speeding past some of the fairly large plot-holes, especially considering the talent that collaborated on the screenplay