Film Review: C’est la Vie! (2017)
byWritten by Kendal Coombs Originally published 20 August 2018 There is a sub-genre of comedy which audiences either love or hate, and it can…
Foreign
Film Review: Dr. Knock (2017)
byWritten by David Nagle Originally published 2 August 2018 Almost a century ago, highly influential French literary and theatrical figures Lous Jouvert and Jules…
Film Review: See You Up There (2017)
byWritten by Angus Tonkin Originally published 15 July 2018 It’s hard to know what to feel when emerging from See You Up There, the…
Film Review: What Will People Say (2017)
byWritten by Nick Bugeja Originally published 11 July 2018 Iram Haq’s What Will People Say is a harrowingly personal film. Nisha (Maria Mozhdah) is…
Film Review: Back to Burgundy (2017)
byWritten by Nick Bugeja Originally published 2 July 2018 “You like wine, then you make wine,” says Jean (Pio Marmaï) to his beleaguered sister,…
Film Review: Foxtrot (2017)
byWritten by Dan Santos Originally published 18 June 2018 There are few films in recent memory which are as magnificently crafted as Israeli film…
Film Review: In Times of Fading Light (2017)
byWritten by Ben Isbel Originally published 20 May 2018 In Times of Fading Light is a film about two things: a communist party member’s…
Film Review: On Body and Soul (2017)
byWritten by Angus Tonkin Originally published 9 May 2018 Endre (Géza Morcsányi) is a withdrawn man. He remembers the active life he used to…
Film Review: Loveless (2017)
byWritten by Ben Isbel Originally published 22 April 2018 Andrey Zvyagintsev, master of nihilism, focuses all his dark energies on his latest work Loveless….
Film Review: 1945 (2017)
byWritten by Nick Bugeja Originally published 25 March 2018 It should come as no surprise that Ferenc Török’s 1945 takes place in 1945, at…