Film Review: Capharnaüm (2018)
byWritten by Dan Santos Originally published 4 February 2019 Is it fair that our children often bear the burden of the worlds that they…
Foreign
Film Review: Loro (2018)
byWritten by Simon Storey Originally published 14 January 2019 Italian maestro Paolo Sorrentino returns to our screens with Loro, an uneven but wickedly entertaining…
Film Review: Cold War (2018)
byWritten by Simon Storey Originally published 23 December 2018 Cold War is about damaged people in a damaged country in a damaged world. Polish…
Film Review: Shoplifters (2018)
byWritten by Ben Isbel Originally published 12 November 2018 Shoplifters is a film with little subtext, overtones or hidden meanings. It’s a film that…
Film Review: Jumpman (2018)
byWritten by Nick Bugeja Originally published 11 November 2018 Jumpman gets its title from the main activity around which the film is framed: a…
Film Review: Donbass (2018)
byWritten by Simon Storey Originally published 22 October 2018 Ukrainian film and documentary maker Sergei Loznitsa blends his talent for fact and fiction in…
Film Review: Custody (2017)
byWritten by Simon Storey Originally published 1 October 2018 One woman dies every week in Australia at the hands of a partner or ex-partner….
Film Review: Boys Cry (2018)
byWritten by Angus Tonkin Originally published 10 September 2018 Organised crime was never on the radar for young lads Mirko (Matteo Olivetti) and Manolo…
Film Review: Domestique (2018)
byWritten by Angus Tonkin Originally published 10 September 2018 It was suggested before seeing Domestique, the debut film from Czech writer-director Adam Sedlák, that a…
Film Review: The Insult (2017)
byWritten by Simon Storey Originally published 28 August 2018 Lebanese writer/director Ziad Doueiri contemplates many things in The Insult – the way that small words…