Film Review: The Hole in the Ground (2019)
byWritten by Simon Storey Originally published 9 April 2019 In the last few years horror films have developed a fascination with parental anxiety. Perhaps…
Foreign
Film Review: Celebration (2007)
byWritten by Kendal Coombs Originally published 1 April 2019 Two decades after it was filmed, Celebration: Yves Saint Laurent, Olivier Meyrou’s brilliant fly-on-the-wall documentary celebrating the…
Film Review: Woman at War (2018)
byWritten by Angus Tonkin Originally published 29 March 2019 The setting for a film titled Woman at War in any other country would almost…
Film Review: Wine Calling (2018)
byWritten by Simon Storey Originally published 17 March 2019 In the foothills of the Pyrenees, rebels have invaded the vineyards. Row upon row of…
Film Review: An Impossible Love (2018)
byWritten by Simon Storey Originally published 14 March 2019 Your parents’ relationship plays a big part in shaping who you are. Basic assumptions on…
Film Review: Revenge (2017)
byWritten by Simon Storey Originally published 11 March 2019 Revenge, the debut film of French writer/director Coralie Fargeat, is bonkers. Absolute, balls to the…
Film Review: The Wild Boys (2017)
byWritten by Ben Isbel Originally published 11 March 2019 The film opens in black and white on a secluded beach at night. A young…
Film Review: Everybody Knows (2018)
byWritten by Angus Tonkin Originally published 8 March 2019 Asghar Farhadi has done everything right for Everybody Knows —almost. He’s got the postcard-perfect rural Spanish…
Film Review: The Guilty (2018)
byWritten by Dan Santos Originally published 27 February 2019 Films taking place in a single setting face distinct challenges. But, if done well, these…
Film Review: At Eternity’s Gate (2018)
byWritten by Angus Tonkin Originally published 10 February 2019 The life and death of Vincent Van Gogh has been an obsession of the art…