Film Review: Zombieland 2: Double Tap (2019)
byWritten by David Nagle Originally published 17 October 2019 With DNA infused with movie metaness and blood (lots and lots of blood) that runs…
Film
Film Review: The Rise of Jordan Peterson (2019)
byWritten by Simon Storey Originally published 17 October 2019 Offering a rare and intimate peak into one of the most interesting men of our…
Film Review: Strange But True (2019)
byWritten by David Nagle Originally published 16 October 2019 Strange But True is a puzzle, but ultimately not in the way that it wants to…
Film Review: The Portal (2019)
byWritten by Kevin Hawkins Originally published 13 October 2019 Twenty minutes into The Portal, you’d be forgiven for not knowing what you’re watching. By this stage,…
Film Review: The Eulogy (2018)
byWritten by Simon Storey Originally published 13 October 2019 At the age of 54, destitute and alone, Geoffrey Tozer died in his rented Melbourne…
Film Review: Judy (2019)
byWritten by Claire Robson Originally published 8 October 2019 One of Hollywood’s most tragic figures, Judy Garland died in 1969 at just 47 years…
Film Review: Green Light (2019)
byWritten by Simon Storey Originally published 7 October 2019 “I question the wisdom of this film” says the lead of Ned Donohoe’s important new…
Film Review: Gemini Man (2019)
byWritten by David Nagle Originally published 7 October 2019 They were so preoccupied with whether or not they could, they didn’t stop to think…
Film Review: Working Woman (2018)
byWritten by Kevin Hawkins Originally published 7 October 2019 In an industry where so many female characters are written and directed by men, it…
Film Review: The Souvenir (2019)
byWritten by Simon Storey Originally published 1 October 2019 In French ‘souvenir’ means ‘to remember’. Joanna Hogg’s latest film – executive produced by none…