Film Review: Swinging Safari (2018)
byWritten by Simon Storey Originally published 22 January 2018 Stephan Elliot has essentially mastered his own unique sub-genre here in Australia. With outrageous comedies…
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Film Review: The Commuter (2018)
byWritten by Kevin Hawkins Originally published 18 January 2018 Before you ask, yes, he says it. Well, not the whole thing. But he does…
Film Review: The Shape of Water (2017)
byWritten by Ben Isbel Originally published 18 January 2018 There’s been much anticipation for Guillermo del Toro’s latest feature. With a highly successful festival…
Film Review: Mary and the Witch’s Flower (2017)
byWritten by Simon Storey Originally published 18 January 2018 Having previously directed Studio Ghibli’s final film When Marnie Was There, Hiromasa Yonebayashi has returned…
Film Review: The Post (2017)
byWritten by Dan Santos Originally published 10 January 2018 There is generally always some friction between governments and the media. In recent times, nowhere…
Film Review: All the Money in the World (2017)
byWritten by Simon Storey Originally published 4 January 2018 If you kept up with any film news in 2017 it would have been hard…
Film Review: Big in Japan (2018)
byWritten by Louise Agostino Originally published 4 January 2018 You may know the phrase ‘Big in Japan’, perhaps from a 2014 film, a 2009 TV…
Film Review: Three Billboards Outside Ebbing, Missouri (2017)
byWritten by Dan Santos Originally published 1 January 2018 Three Billboards Outside Ebbing, Missouri, written and directed by Martin McDonagh, is both emotionally raw…
Film Review: Jumanji: Welcome to the Jungle (2017)
byWritten by Claire Robson Originally published 24 December 2017 It’s a common complaint that cinema has nothing new to offer these days. And that’s…
Film Review: The Greatest Showman (2017)
byWritten by Claire Robson Originally published 23 December 2017 “Ladies and gents, this is the moment you’ve waited for”. And so begins this year’s…