Film Review: The Children Act (2017)
byWritten by Claire Robson Originally published 19 November 2018 Ian McEwan’s penchant for fine storytelling is on display once more in The Children Act….
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Film Review: Widows (2018)
byWritten by Kevin Hawkins Originally published 19 November 2018 A film passes the Bechdel test when it meets three criteria: “(1) it has to…
Film Review: I Used to be Normal: A Boyband Fangirl Story (2018)
byWritten by Claire Robson Originally published 19 November 2018 Few things make people roll their eyes as much as a girl obsessed with a…
Film Review: Wolfman’s Got Nards (2018)
byWritten by Simon Storey Originally published 19 November 2018 In the current moment of popular culture there is no force more powerful than 1980s…
Film Review: Fantastic Beasts: The Crimes of Grindelwald (2018)
byWritten by Angus Tonkin Originally published 14 November 2018 Watching with neck craned from the second row, it may be tempting to blame a…
Film Review: Fishbowl California (2018)
byWritten by Nick Bugeja Originally published 12 November 2018 Fishbowl California is a tale of two very different lives intersecting at a time of…
Film Review: Shoplifters (2018)
byWritten by Ben Isbel Originally published 12 November 2018 Shoplifters is a film with little subtext, overtones or hidden meanings. It’s a film that…
Film Review: The Old Man & the Gun (2018)
byWritten by Ben Isbel Originally published 11 November 2018 Robert Redford’s alleged swan song film, The Old Man & The Gun, goes against the…
Film Review: Roma (2018)
byWritten by Ben Isbel Originally published 11 November 2018 Roma appears to be the biggest independent hit of this year. So avant-garde that Netflix…
Film Review: Jumpman (2018)
byWritten by Nick Bugeja Originally published 11 November 2018 Jumpman gets its title from the main activity around which the film is framed: a…