Film Review: Rush (2013)
byWritten by Angus Tonkin Originally published 30 September 2013 In no way, shape or form can you consider Formula One racing a safe pastime….
Film
Film Review: A Beginners Guide To Endings (2010)
byFrom the onset of A Beginners Guide To Endings you feel a quirky, slight Tarantino-esque vibe injected by writer/director Jonathan Sobol, in his feature length film debut.
Film Review: Diana (2013)
byIt goes without saying that Oliver Hirschbiegel’s biopic Diana will end in tragedy. But the tragedy of Diana is not so much the Princess’ death, but the unlikely tale of forbidden love that plays out for much of the film.
Film Review: Thanks For Sharing (2013)
byWritten by Mark Hewitt Originally published 29 September 2013 Premiering at last year’s Toronto Film Festival, Thanks for Sharing is the directorial debut for…
Film Review: Runner Runner (2013)
byDespite what the title may suggest, Runner Runner certainly runs out of steam way before its average climax. With superhero enthusiasts already dubious about his casting in the upcoming Batman vs. Superman, here’s hoping Affleck is saving all his efforts for Bruce Wayne.
Film Review: Stories We Tell (2012)
byResponding to the central question, Stories We Tell plays out like a mystery as Polley gradually patches together a portrait, blending archival footage with re-enactments to further blur the distinction between truth and fiction.
Film Review: Turbo (2013)
byWritten by Kevin Hawkins Originally published 19 September 2013 There’s definitely something amusing about watching a snail line up to compete in the Indy…
Film Review: The East (2013)
byA thought provoking film that may make you want to save the world, but will certainly make you aware of the danger around us and the harm we do to our own environment.
Film Review: I’m So Excited (2013)
byThe richness of the colour onscreen separates the world Almodovar presents from reality, isolating the characters in their own dimension, and its use is very reminiscent of films of the French New Wave, particularly Jacques Demi’s Umbrellas of Cherbourg (1964) and Jean-Luc Godard’s A Woman Is A Woman (1961).
Film Review: Mood Indigo (2013)
byThis new release seems more concerned with the story of the two lovers, rather than the punch-dunk feeling of being in love. Without a doubt, Mood Indigo is one of Gondry’s best offerings to date, especially if you can get your hands on its original draft.