Film Review: The Ghost of Peter Sellers (2018)
byWritten by David Nagle Originally published 8 July 2019 One of my favourite things that Roger Ebert said was “movies are the most powerful…
Film
Film Review: J.R. ‘Bob’ Dobbs and the Church of the SubGenius (2019)
byWritten by David Nagle Originally published 2 July 2019 We’re living in the upside-down world. The jokers are in charge. Supporters are cults. People…
Film Review: Ballad of a Righteous Merchant (2017)
byWritten by David Nagle Originally published 2 July 2019 Werner Herzog’s own documentaries are interested in trying to visualise the invisible, in seeing inside…
Film Review: Spider-Man: Far From Home (2019)
byWritten by Kendal Coombs Originally published 2 July 2019 Spider-Man: Far From Home is the 23rd film in the Marvel Cinematic Universe, and if…
Film Review: Mystify: Michael Hutchence (2019)
byWritten by Kevin Hawkins Originally published 1 July 2019 It’s almost impossible to reflect upon INXS these days without referencing the untimely suicide of…
Film Review: Yesterday (2019)
byWritten by David Nagle Originally published 28 June 2019 Yesterday isn’t a film to overthink. Don’t get bogged down in the details of how…
Film Review: Annabelle Comes Home (2019)
byWritten by Ben Isbel Originally published 26 June 2019 Annabelle Comes Home is the seventh continuation of the Conjuring universe. It’s a welcome return…
Film Review: Child’s Play (2019)
byWritten by Angus Tonkin Originally published 23 June 2019 Where do we put Chucky, the homicidal doll, in the pantheon of horror villains? In…
Film Review: Claire Darling (2018)
byWritten by Simon Storey Originally published 23 June 2019 La Dernière Folie de Claire Darling (The Final Madness of Claire Darling), or simply Claire…
Film Review: From Music into Silence (2018)
byWritten by Simon Storey Originally published 20 June 2019 “Let the beauty of what you love be what you do” – Rumi For the…