Film Review: Roma (2018)
byWritten by Ben Isbel Originally published 11 November 2018 Roma appears to be the biggest independent hit of this year. So avant-garde that Netflix…
Festivals
Film Review: Jumpman (2018)
byWritten by Nick Bugeja Originally published 11 November 2018 Jumpman gets its title from the main activity around which the film is framed: a…
Film Review: My Generation (2017)
byWritten by Kendal Coombs Originally published 22 October 2018 Featuring interviews with some of the icons of Britain in the 60s and a soundtrack…
Film Review: Boys Cry (2018)
byWritten by Angus Tonkin Originally published 10 September 2018 Organised crime was never on the radar for young lads Mirko (Matteo Olivetti) and Manolo…
Film Review: Domestique (2018)
byWritten by Angus Tonkin Originally published 10 September 2018 It was suggested before seeing Domestique, the debut film from Czech writer-director Adam Sedlák, that a…
Film Review: McQueen (2018)
byWritten by Simon Storey Originally published 3 September 2018 “Fashion is the armour to survive the reality of everyday life” – Bill Cunningham. Renowned…
Film Review: Leave No Trace (2018)
byWritten by Louise Agostino Originally published 20 August 2018 Leave No Trace is a new film by Debra Granik (Winter’s Bone), which has a…
Film Review: What Will People Say (2017)
byWritten by Nick Bugeja Originally published 11 July 2018 Iram Haq’s What Will People Say is a harrowingly personal film. Nisha (Maria Mozhdah) is…
Film Review: In Times of Fading Light (2017)
byWritten by Ben Isbel Originally published 20 May 2018 In Times of Fading Light is a film about two things: a communist party member’s…
Film Review: Outside In (2017)
byWritten by Louise Agostino Originally published 8 May 2018 Nominated at SXSW and selected at Toronto Film Festival 2017, Outside In is a new drama by Lynn…