Review: National Theatre Live: King Lear (2018)
When one of the finest actors of his generation leads in a play by the greatest writer in the history of the English language…
Film Review: Fahrenheit 11/9 (2018)
November 8th 2016 is a date destined to be a life long memory for anyone who lived through it. The world on the precipice…
Film Review: Ghost Stories (2017)
Schlocktober is upon us, bringing the promise of chilling thrills and bloody spills. A time of year when all the big horror films are…
Film Review: Donbass (2018)
Ukrainian film and documentary maker Sergei Loznitsa blends his talent for fact and fiction in his latest work. Donbass, taking its name from the…
Film Review: Westwood: Punk, Icon, Activist (2018)
Documentaries about fashion icons seem to be popular at the moment… They’re in vogue, if you will. In the past twelve months André Leon Talley…
Film Review: 1% (2017)
In his debut feature, Australian director Stephen McCallum has explored the violent frontiers of the wild west, but not in the usual sense. 1%,…
Lost Gully Road – An Interview with Donna McRae
There’s a sense of deja-vu as I park the car on the way to interview Donna McRae for her new film Lost Gully Road….
Film Review: Custody (2017)
One woman dies every week in Australia at the hands of a partner or ex-partner. In France it’s one every three days. Referred to…
Film Review: Jirga (2018)
Before this review properly starts, a Public Service Announcement for the filmgoing community. Do not – under any circumstances – watch the trailer for…
Film Review: Won’t You Be My Neighbour? (2018)
Although not a cornerstone of the Australian childhood – that honour belongs to either Harold from the LifeEd van or Cheez TV – the…