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Joanna Di Mattia

Joanna Di Mattia

Joanna has a PhD in Women’s Studies from Monash University where her research focused on anxiety about masculinity in the films of the (Bill) Clinton era. While posing as an academic she published widely on gender and sexuality in American film, television and popular culture. Joanna writes about film culture over at In a Lonely Place: Cinematic Encounters in the Dark and her recent film criticism has appeared in Kill Your Darlings, Senses of Cinema and The Age. Joanna was a member of the inaugural Critics Campus cohort at the Melbourne International Film Festival in 2014.

Film Review – Locke (2014)
Current Theatrical Releases, Film, Melbourne International Film Festival August 28, 2014 August 28, 2014

Film Review – Locke (2014)

Constructing a building. Dismantling a life. These are the dual organizing principles of Steven Knight’s absorbing film Locke. Ivan Locke (Tom Hardy) is a…

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Film Review: Rashomon (1950)
Classics, Film, Foreign June 30, 2014 July 6, 2014

Film Review: Rashomon (1950)

A conversation between Nick Alexander, Joanna Di Mattia and Scott Halligan Synopsis: Three men – a woodcutter, a priest and a commoner – seek shelter…

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Film Review: The Hidden Fortress (1958)
Classics, Festivals, Film June 30, 2014 July 1, 2014

Film Review: The Hidden Fortress (1958)

A conversation between Nick Alexander, Joanna Di Mattia and Scott Halligan Synopsis: In feudal Japan, two greedy peasants are tricked into escorting a princess –…

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Film review: Shane (1953)
Classics, Festivals, Film June 25, 2014 June 25, 2014

Film review: Shane (1953)

‘A gun is as good or as bad as the man using it. Remember that.’ These are words to live by. These are words…

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Film Review: 13 Assassins (2010)
Festivals, Film June 10, 2014 June 25, 2014

Film Review: 13 Assassins (2010)

Midway through Takeshi Miike’s 13 Assassins (2010), a man in a tavern jokes, ‘These days, swords are only good for cutting radishes.’ It might…

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Film Review: The Wages of Fear (1953)
Festivals, Film May 27, 2014 June 25, 2014

Film Review: The Wages of Fear (1953)

Conventional ideas about courage are blown apart in The Wages of Fear (La salaire de la peur), an existential thriller directed by Henri-Georges Clouzot…

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Film Review: Seven Samurai (1954)
Festivals, Film May 21, 2014 June 25, 2014

Film Review: Seven Samurai (1954)

Early in Seven Samurai (Shichinin no samurai) the wise Kambei Shimada (Takashi Shimura) explains, ‘I’m not a man with any special skills, but I’ve…

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Authorship

The reviews and articles on Film Blerg are written by a team of authors. The views of the authors do not reflect the views of the editor. If you wish to republish any reviews, please contact the editor for permission.

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